“... We have no greater right to be here than any other animal.” Sir D. Attenborough.
Climate Crisis Club' s Eco-Art Exposition
"Beaver." Eco-Sculpture by JonJon Animation, reusing materials to make great art.
"Beaver." By JonJon Animation.
"Beaver." By JonJon Animation.
Painting by EYazembiak.
Painting by E.Yazembiak.
Painting by E. Yazembiak.
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Nature Art and Photography
Artist: Christi Belcourt’s The Wisdom of the Universe incorporates a curated selection of seven of the more than 200 species of Ontario plants and animals that have been listed as threatened, endangered or extinct. (Artwork: Christi Belcourt, Métis, born 1966. The Wisdom of the Universe, 2014, Acrylic on canvas. Unframed: 171 × 282 cm (67 5/16 × 111 In.) Art Gallery of Ontario. Purchased wit
Artist Geoff Phillip's Grasslands Hillside Grass forms part of his ’ Plantscapes of the Prairies series, which highlights the natural grassland and forest ecosystems of Saskatchewan. Many native prairie plants have almost disappeared amid the widespread cultivation of farmland. (Artwork: Grasslands Hillside Grass, oil on canvas, 4.5’ X 5.5’, 2017)
Climate is Life Mural and more Nature Art and Photography.
Renée Stout, Botanical illustration #3 (the Herbmaster, James Luna), 2020. Oil, acrylic, and mixed media on handmade paper; 12 5/16 x 11 13/16 inches (31.3 x 30 cm). Collection of the Nasher Museum of Art at Duke University, Durham, North Carolina. Museum purchase, 2021.23.1. © Renée Stout. Photo by Peter Paul Geoffion.
Peter Williams, Birdland, 2020. Oil and graphite on canvas, 60 x 72 inches (152.4 x 182.9 cm). Collection of the Nasher Museum of Art at Duke University, Durham, North Carolina. Museum purchase with funds provided by Stefanie and Douglas Kahn, 2020.17.1. © Estate of Peter Williams. Courtesy of Luis De Jesus, Los Angeles. Photo by Peter Paul Geoffion.
Nickel Tailings #31 (detail) forms part of Edward Burtynsky’s Mines and Tailings, a series devoted to exploring the environmental aftermath of metal mining and smelting. (Artwork: Nickel Tailings #31 (detail). © Edward Burtynsky, courtesy Nicholas Metivier Gallery)
Gavin Lynch’s Prelude no.1 (Farewell to the Janus Idol) captures a sense of time passing as the leaves at the painting’s edges change from green to gold and red. He says landscape painting is more important than ever before — “a reminder of what is at stake.” (Artwork: Prelude No.1 (Farewell to the Janus idol))
Oil Fields #2 is part of a series created by Edward Burtynsky to examine the world’s reliance on oil and gas. He considers oil “both the source of energy that makes everything possible, and as a source of dread, for its ongoing endangerment of our habitat.” (Artwork: Oil Fields #2, Belridge, California, USA, 2003. © Edward Burtynsky, courtesy Nicholas Metivier Gallery)